In Ang Lee’s films—subject of an upcoming retrospective at Asia Society in New York—what seems to be about culture is a condition of the family, and vice versa.
The groundswell of grief that followed David Lynch’s death on January 15 caught me off guard, as I suspect it did many others, in its sheer reach and intensity. For a few days, it seemed that everyone ...
Lynch’s career thus far reads like a film student’s fancy: an avant-garde feature made for $20,000; then a modestly budgeted ($5 million), no-star commercial movie, in black and white, that earned ...