Oppenheimer’s latest film, The End, is a Golden Age, post-apocalyptic musical crying out from the depths of the earth. In the late 2000s, the filmmaker Joshua Oppenheimer trained his camera on a gang ...

Nearly a decade ago, Joshua Oppenheimer accompanied a Central Asian oil tycoon on a shopping trip for a doomsday bunker. Oppenheimer, an acclaimed documentarian, wondered about the emotional ...

Oppenheimer’s latest film, The End, is a Golden Age, postapocalyptic musical crying out from the depths of the earth. In the late 2000s, the filmmaker Joshua Oppenheimer trained his camera on a ...

The Göteborg Film Festival, Sweden’s leading film fest, has unveiled its 2025 lineup, which features several award season ...

In Slate’s annual Movie Club, film critic Dana Stevens emails with fellow critics—for 2024, Bilge Ebiri, K. Austin Collins, ...

(Well, this.) That director is Joshua Oppenheimer, whose brilliant pair of movies about the Indonesian genocide of the 1960s were both Oscar-nominated (and both times lost out to pop music ...

After a decade under the helm of Jonas Holmberg, the 48th Göteborg Film festival will inaugurate a new era under the reign of artistic director Pia Lundberg. Big names expected between Jan 24-Feb. 2 ...

"The End," by director Joshua Oppenheimer ("The Act of Killing," "The Look of Silence"), is a gloomy musical about perhaps the only six people left on Earth: an oilman and his trophy wife (Michael ...

Mother (Tilda Swinton) is having a bad dream. Sleeping beside her is the sweet and affable Father (Michael Shannon). She wrestles herself out of a nightmare and is comforted by her husband.

Joshua Oppenheimer wanted to make a third film about the Indonesian genocide. In the first two, The Act of Killing and The Look of Silence, death squad members gleefully reenact massacres and the ...