A quaint sandstone church in the hamlet of Kangaloon has hit the market. First built in 1882, the church is nestled beside a small cemetery with tombstones that date back over a century. With its ...

MCVEYTOWN — Mifflin County native Joe Mounts admits he’s not much of a history buff. But when the 43-year-old McVeytown man ...

Bolstering Florida's structures to resist storm damage is coming into state policymakers' view to mitigate potential storm ...

Ruben Amorim's press conference after losing 3-0 to Bournemouth is interrupted by yet another roof leaking at Old Trafford, with reporters having to shuffle out of the way of the drip 9 Things ...

The queerness of Cat on a Hot Tin Roof has often been sublimated or toned down, especially when it premiered in the hypocritical 1950s, but it’s central here. A young man (Seb Carrington ...

Rebecca Frecknall is hoping for a third strike of luck with Cat on a Hot Tin Roof, her third Tennessee Williams production at the Almeida following the buzzy Streetcar Named Desire with hot-boy-of ...

Lennie James as Big Daddy in ‘Cat on a Hot Tin Roof’ (Photo: Marc Brenner) In a programme note, Frecknall explains how for her the play is all about the “toxicity of unrequited love and ...

Like a kale smoothie from one of the chi-chi bars of Islington, this Cat on a Hot Tin Roof does you good, but it can be a trial finishing those last few mouthfuls.

Rebecca Frecknall is hoping for a third strike of luck with Cat on a Hot Tin Roof, her third Tennessee Williams production at the Almeida following the buzzy Streetcar Named Desire with hot-boy-of-the ...

The clothes are odd, ugly, non-period. Chloe Lamford’s set is a stark room clad in stamped metal tiles, with three large apertures and a porous fourth wall to facilitate eavesdropping (being ...

Rebecca Frecknall turns the volume all the way up on Tennessee Williams’ tale of a family’s implosion The director Rebecca Frecknall scored a huge hit with her take on A Streetcar Named Desire ...

Some productions of Cat On A Hot Tin Roof emphasise the comedy. Not this one. Both vamp and ingenue in red lipstick and flimsy blue slip, Edgar-Jones sets the oppressive, semi-unhinged tone from ...