In The Wire 491/492, Drew Daniel recounts a dream of a strange new music style, whose subsequent online virality revealed the need to test the limits of genres ...
50 records of the year as voted for by The Wire's writers.
Listen to a selection of tracks from our Top 50 Releases of the Year, as voted for by The Wire’s contributors. You can read more about the albums featured in our chart, as well as those featured in ...
All systems open might be the rallying cry of artists the world over, but Mark Fell argues the case for technological limitation as a trigger for creativity. Back in the early 1980s, the synth pop ...
Releases of the Year: We asked our contributors to vote for their top ten records, CDs, streams and more, then added up the votes ...
Subscribers: read this issue online. Subscribe to the magazine. Buy issue 486. Inside our brand new issue: David Lynch & Chrystabell: As their new album Cellophane Memories marks the culmination of 20 ...
From a humble start in 2010 as a mail order distro specialising in Chinese metal, WV Sorcerer Productions has grown into an esoteric and prolific label with more than 70 releases to date. A pair of ...
Steve Roach: Synthesizer worship with the Arizona ambient musician. By Ned Raggett; [Ahmed]: Revolutionary grooves from the radically minded Anglo-Swedish-French quartet. By Stewart Smith Clarissa ...
Inspired by Sun Ra, Chicago based House experimentalist, noise maker and Afro-Futurist, Hieroglyphic Being aka Jamal Moss has released an ever expanding cosmos of music since the 1990s. Operating ...
Listen to a selection of tracks from our Top 50 Releases of the Year, as voted for by The Wire’s team of staff and contributors. You can read more about the albums featured in our chart, as well as ...
Known for her experimental jazz guitar playing as both band leader and accompaniment, Boston born Mary Halvorson recently released her first record including vocals and lyrics. In light of this, as ...
Current 93's David Tibet made his first mark in the 'Industrial' culture of the early 1980s even though the was skeptical of the Industrial formula equating inept noise with socially 'transgressive' ...