Still, Maria is a marvel to look at, unfolding in a Paris lit by pale September sun. It is 1977, and La Callas is a recluse, long gone from Covent Garden but never quite ruling out a comeback. Pills ...
There has, since Pablo Larraín ’s study of Maria Callas premiered at Venice International Film Festival in August, been a critical cooling on the project. Does it not allow the great diva enough ...
Chilean director Pablo Larraín concludes his thematic trilogy of 20th century biopics of famous women – after ‘Jackie’ and ‘Spencer’ – with this soft, restrained drama ...